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Meanwhile, the number of gay films with any magical realism at all can be counted with single digits: Were the World Mine, Orlando, Gregg Araki’s Kaboom (which is not recommended), possibly Big Eden, and a few others. Magical realism’s “do over” theme is obviously not a new one for film in general, but it’s completely untilled territory in GLBT cinema. The next day, however, Zachary discovers a very disconcerting fact: the “Danny” he slept with is also named Danny Reyes - and he shares much else with Zachary, including the fact that the short film he’s entered into the contest, Judas Kiss, is the same one Zachary entered 15 years earlier.Ĭould it be? Has Zachary gone back in time - or have parallel dimensions somehow intersected? More importantly, is Zachary being given a chance to “do over” the mistakes he made before? Zachary is so disappointed in himself and his past that he’s even changed his name from “ Danny Reyes.”īut the night before the festival, he meets a hot college student named Danny ( Richard Harmon), and the two have a torrid one-night stand.
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In Judas Kiss, a new film now playing the festival circuit, a washed-up filmmaker named Zachary ( Charlie David) is talked into judging the student film festival where, 15 years previously, a movie of his made a big splash - a splash that ultimately led nowhere when he squandered his early buzz with bad personal and career choices.